Saturday, September 17, 2022

Dying Of The Light..

 

 

 

                                                                  pic from Arknights.

 

Do not go gentle into that good night

By Dylan Thomas.

 

 

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

Tuesday, September 6, 2022

Ungaikyo... The Demon reflecting mirror

 

 
 Ungaikyo...or the mirror beyond the clouds



Ungaikyo is a haunted mirror that is capable of revealing demons and monsters reflected in its surface.

Some believe the spirit that inhabitants  this mirror, as well as the countless spirits that have been reflected in it over the years, can manipulate the reflection and cause it to appear as anything they like. People who gaze into an ungaikyo might see a transformed, monstrous version of themselves looking back.


An ungaikyo can be used by humans to trap spirits.

On the 15th night of the 8th month in the old lunar calendar, water is poured
into a crystal dish to reflect the light of the full moon. (In the old days this was a popular way of admiring the reflection of the night sky.)

If that water is used to paint the image of a yokai onto a mirror, that spirit will then inhabit the mirror.


Ungaikyo appears in Toriyama Sekien’s book of tsukumogami Hyakki tsurezure bukuro. Sekien based this yokai on a mirror from an old Chinese myth. 




That mirror was called shomakyo (“demon revealing mirror”). It had the ability to expose the true forms of demons masquerading as humans when they were
reflected in the mirror. 




Shomakyo was used by  Zhou  to reveal that his consort was actually a wicked nine-tailed
kitsune, intent on runing his kingdom through her evil depravities.

Her true form revealed, she fled the country (setting into action a chain of events
that would eventually lead her  Japan as Tamamo no Mae). 

Shomakyo was used time and time again to reveal the true nature of disguised spirits.

Sekien believed that such a mirror might eventually pick up a little of the strangeness of each yokai and demon it reflected, eventually becoming one itself.

Perhaps the countless spirits that it has reflected over the years have slowly gained the ability to manipulate its reflections.

In more modern versions, ungaikyo is been described  as a normal mirror that has transformed into a living being upon reaching one hundred years of age, the mirror develops a soul and is transformed into a type of yokai called a tsukumogami.

The mirror  has also been portrayed as one of the many transformations performed by tanuki. 

 

By sucking in large amounts of air and inflating their bellies, a tanuki is able to display a picture on its bare belly similar to a television screen. This portrayal is not rooted in folklore however, but comes from Daiei Films’ 1968-69 yokai movies. 

 

Nonetheless, it has caught on and remains a popular variation of ungaikyo in many productions.


Thursday, September 1, 2022

The Haunted Palace👻🏰

 

 

 


The Haunted Palace👻🏰

Edgar Allan Poe - 1809-1849

 

In the greenest of our valleys
By good angels tenanted,
Once a fair and stately palace —
Radiant palace — reared its head.
In the monarch Thought's dominion —
It stood there!
Never seraph spread a pinion
Over fabric half so fair!

Banners yellow, glorious, golden,
On its roof did float and flow,
(This — all this — was in the olden
Time long ago,)
And every gentle air that dallied,
In that sweet day,
Along the ramparts plumed and pallid,
A winged odor went away.

Wanderers in that happy valley,
Through two luminous windows, saw
Spirits moving musically,
To a lute's well-tuned law,
Round about a throne where, sitting
(Porphyrogene!)
In state his glory well-befitting,
The ruler of the realm was seen.

And all with pearl and ruby glowing
Was the fair palace door,
Through which came flowing, flowing, flowing,
And sparkling evermore,
A troop of Echoes, whose sweet duty
Was but to sing,
In voices of surpassing beauty,
The wit and wisdom of their king.

But evil things, in robes of sorrow,
Assailed the monarch's high estate.
(Ah, let us mourn! — for never morrow
Shall dawn upon him desolate!)
And round about his home the glory
That blushed and bloomed,
Is but a dim-remembered story
Of the old time entombed.

And travellers, now, within that valley,
Through the red-litten windows see
Vast forms, that move fantastically
To a discordant melody,
While, like a ghastly rapid river,
Through the pale door
A hideous throng rush out forever
And laugh — but smile no more.

 

 

 

 

 

 

 

 

 

 

Wednesday, June 22, 2022

The City in the Sea by Edgar Allan Poe

 

 

 

 


                The City in the Sea


                                                by Edgar Allan Poe
                                                 (published 1831)

  
Lo! Death has reared himself a throne
In a strange city lying alone
Far down within the dim West,
Where the good and the bad and the worst and the best
Have gone to their eternal rest.
There shrines and palaces and towers
(Time-eaten towers that tremble not!)
Resemble nothing that is ours.
Around, by lifting winds forgot,
Resignedly beneath the sky
The melancholy waters lie.
No rays from the holy heaven come down
On the long night-time of that town;
But light from out the lurid sea
Streams up the turrets silently-
Gleams up the pinnacles far and free-
Up domes- up spires- up kingly halls-
Up fanes- up Babylon-like walls-
Up shadowy long-forgotten bowers
Of sculptured ivy and stone flowers-
Up many and many a marvellous shrine
Whose wreathed friezes intertwine
The viol, the violet, and the vine.
Resignedly beneath the sky
The melancholy waters lie.
So blend the turrets and shadows there
That all seem pendulous in air,
While from a proud tower in the town
Death looks gigantically down.

There open fanes and gaping graves
Yawn level with the luminous waves;
But not the riches there that lie
In each idol's diamond eye-
Not the gaily-jewelled dead
Tempt the waters from their bed;
For no ripples curl, alas!
Along that wilderness of glass-
No swellings tell that winds may be
Upon some far-off happier sea-
No heavings hint that winds have been
On seas less hideously serene.

But lo, a stir is in the air!
The wave- there is a movement there!
As if the towers had thrust aside,
In slightly sinking, the dull tide-
As if their tops had feebly given
A void within the filmy Heaven.
The waves have now a redder glow-
The hours are breathing faint and low-
And when, amid no earthly moans,
Down, down that town shall settle hence,
Hell, rising from a thousand thrones,
Shall do it reverence.

 

Thursday, June 9, 2022

The Amarillo Dogman 🌕🐺

 

 


New Texas Dogman Sighting... 🌕🐺

 

ORIGINAL article by 


Something strange was recently seen lurking outside a Texas zoo, and while the city has several theories, its identification is still a mystery.

Security cameras at the Amarillo Zoo captured the mysterious creature “in the dark and early morning hours” of Saturday, May 21, according to a June 8 news release from the city.

A still photo from the recording shows the life form outside the zoo’s perimeter fence at 1:25 a.m. that Saturday.

“Was it a person with a strange hat who likes to walk at night?” the city asked. “A large coyote on its hind legs? A Chupacabra? It is a mystery – for Amarillo to help solve.”

 

 

As the visitor’s identity remains unknown, the Texas Panhandle city has declared it an “Unidentified Amarillo Object” — or UAO, for short.

But city officials hope someone may be able to offer a better explanation.

“We just want to let the Amarillo community have some fun with this,” Director of Parks and Recreation Michael Kashuba said in the news release. “ ... It is definitely a strange and interesting image. Maybe Amarillo can help solve the mystery of our UAO.”

The city said it does not have video footage of the encounter to share, so eager UAO detectives will have to use the still image to crack the case.

“It is important to note that this entity was outside the Amarillo Zoo,” Kashuba said. “There were no signs of attempted entry into the zoo. No animals or individuals were harmed. There were no signs of criminal activity or vandalism.”

If you have a theory as to what what this UAO really is, contact the City of Amarillo at publiccommunications@amarillo.gov or on its social media page.


 https://www.yahoo.com/news/chupacabra-coyote-walking-upright-texas-174041006.html

 

Wednesday, June 1, 2022

Ghost stories.. La Llorona, the weeping woman.

La Llorona, The Weeping Woman or The Cryer, is a popular Latin American legend about the ghost of a woman who steals children to drown them. 

 

There are several versions of this tale In the Southwestern United States, the tale of La Llorona is told to scare children into good behavior, sometimes specifically to deter children from playing near dangerous water. 

 

They are also told her cries are heard as she walks around the street or near bodies of water to scare children from wandering around, resembling the stories of El Cucuy. (more on hime in a later post) 

 

 In Chumash mythology indigenous to Southern California, La Llorona is linked to the nunašɨš, a mythological creature with a cry similar to that of a newborn baby. 

The legend of La Llorona is also deeply rooted in Mexican popular culture, her story told to children throghout the countery to encourage them not to wander off after dark, "La Cihuacoatle, Leyenda de la Llorona" is a yearly waterfront theatrical performance of the legend of La Llorona set in the Xochimilco borough of Mexico City, established in 1993 to coincide with the Day of the Dead.

 

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                             Standard version of the legend..

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After giving birth to, and raising two sons, an aging wife felt that her husband fell out of love with her and only loved their sons. After catching her husband cheating on her with a younger woman she was consumed by grief and anger, so she drowned her sons in a river to punish her husband, then drowned herself as well. She was refused entry to Heaven and sent to Hell where she was tricked by Ramiel that told her her son's souls were lost, but she would be granted entry to Heaven if she found their lost souls and brought them to Heaven where they belonged. 

Ramiel knew that her son's souls were in Heaven, so the woman would be stuck in the land of the living trying to find her sons forever, crying constantly for the sins she committed. After having spent a long time without finding her sons, her grief, and her desperation to just be able to die and be at peace caused her to start taking other children's souls by drowning them.

Another variation, 

 

In a rural village in Mexico, there lived a beautiful young woman named María. She came from a poor family but was known around her village for her beauty and grace. One day, an extremely wealthy nobleman was riding through her village and stopped in his tracks. He had traveled all over the world and has never seen anyone as beautiful as María. He was mesmerized by her. He knew that he had to win her heart. María was easily charmed by him and he was charmed by her beauty, so when he proposed to her, she immediately accepted. Eventually, the two married, and María gave birth to two sons. Her husband was always traveling and he stopped spending time with his family. 

When he came home, he only paid attention to the children and as time passed María could tell that her husband was falling out of love with her because she was getting old. 

 

Then one day he returned to the village with a younger woman, and bid his children farewell, ignoring María.

María, angry and hurt, took her children to a river and drowned them in a blind rage. She realized what she had done and searched for them, but the river had already carried them away. Days later, her husband came back and asked about the children, but María started weeping and said that she had drowned them. Her husband was furious and said that she could not be with him unless she found their children.

Now she spends eternity looking for her lost children. She is always heard weeping for her children, earning her the name "La Llorona", which means "The Weeping Woman".

 

 

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OLDER VERIATIONS.

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The earliest documentation of La Llorona is traced back to 1550 in Mexico City, though there are theories that her story can be connected to specific mythologies of the Aztecs, including some creation stories. The Aztec creation myth of “The Hungry Woman” includes a wailing woman constantly crying for food, which has been compared to La Llorona’s signature nocturnal wailing for her children.

 

 The motherly nature of La Llorona’s tragedy has also been compared to Chihuacoatl, an Aztec goddess who was considered a deity of motherhood. 

Her search for children to keep for herself is also significantly compared to that of Coatlicue, known as “Our Lady Mother” or Tonantsi 

One of the first texts that mention a woman with the characteristics of La Llorona a be found in the Florentine Codex, also known as Historia general de las cosas de Nueva España. The Florentine Codex is composed of twelve books and was put together in 1577 according to the Laurentian Library of Florence where it is currently located. Some of the text in its books, however, can be dated earlier. Book twelve was originally written in Náhuatl language in 1555 according to Fray Bernardino de Sahagún. 

Mexican historian Miguel León-Portilla calls this section of the Florentine Codex, Testimonios de los informantes de Sahagún. Native students from Tlatelolco collected first-hand testimonies from native elders with the supervision of Sahagún. In book twelve of the Florentine Codex, native elders stated that ten years prior to the arrival of the Spaniards, the Mexica (Aztecs) and in particular Motecuhzoma (Moctezuma II), began to witness a series of omens. 

These prophecies signaled the arrival of men who waged war and the downfall of Tenochtitlan. Omen number six states that a woman was heard crying and screaming at night many times, "My children, we now have to leave far away!" Other times she would say, "My children, where shall l take you?" The passage is accompanied by an illustration of the native woman, crying, barefooted, and clutching her hands.

The first and eighth books of the Florentine Codex state that the woman crying at night, worried for her children, is none other than the goddess Cihuacóatl, whose name means "serpent woman". 

 In chapter six of the first book, Sahagún narrates some apparitions by Cihuacóatl. He describes her attire as "white, with her hair as if she had horns crossed above her forehead." The original version of this passage, written in Náhuatl, states that Cihuacóatl was covered in “chalk” and would “appear at night dressed in white, walking and crying”. 

Book eight of the Florentine Codex says that a terrible famine occurred for three years during Motecuhzoma's reign prior to the arrival of the Spaniards, and "the devil who is named Cihuacóatl would appear and go around crying through the streets of Mexico.” The Náhuatl version of this passage mentions that everyone would hear her crying and saying, "My beloved children, I'm going to leave you now." 

The eighth book also states that during the sixth omen, a voice was heard crying and saying, "Oh, my children, we are about to be lost." The voice would also cry, "My children, where shall I take you?" At the beginning of the text describing the sixth omen, an illustration shows Cihuacóatl. She has the head of a woman, her hair combed like horns and the body of a snake. Chapter two makes a terrifying assertion that took place after the conquest; Cihuacóatl ate a child that was in his crib in the town of "Azcaputzalco.

 


 

 There are two other texts, also from the 16th century, which mention a woman with the characteristics of La Llorona and refer to a set of pre-colonial omens, The Durán Codex and La Historia de Tlaxcala. The Durán Codex, also known as Historia de las Indias de Nueva España e Islas de Tierra Firme, is dated 1579 according to the Biblioteca Nacional de España where it is currently located.

 

 The text states that Motecuhzoma summoned all of the leaders of the "barrios" and asked them to tell all of the elders that from now on they are to report to him what they see in their dreams. Motecuhzoma also asked the leaders to tell those who have a habit of wondering at night, that if they were to run into "that woman whom people say wonders at night crying and moaning, to ask her why she cries and moans.

 

 La Historia de Tlaxcala, dated 1592 according to Dr. Francisco Ramírez Santacruz and Dr. Héctor Costilla Martínez, was written by a mestizo descendant of Tlaxcaltecan nobility named Diego Muñoz Camargo. The text states that during a sixth omen, many times and for many nights, you could hear the voice of a woman crying and sobbing loudly, "Oh my children! We will now lose everything..." and other times she would say, "Oh my children, where can I take you and hide you

 

 In short, be very careful after dark...stay away from rivers and don't talk to ghostly crying lady's

 


Thursday, March 10, 2022

Majestic 12: UFO's and the elite

 

 

 


                                                                     Majestic 12

If you've read up on UFO conspiracies then you've no doubt heard of The majestic12 at some point or another.

MJ 12 Also known as Majestic 12 is the code name for a secret group of military leaders, government officials and scientists.

 




It was created between 1952 and 1954  but it's origin is said to go back as far as 1947 created  through an executive order by U.S. President Harry S. Truman to facilitate recovery and investigation of alien spacecraft, as well as research extraterrestrial, life forms that may be visiting Earth and reverse engineering of  captured or downed UFO's..



In 1984 secret leaked government documents began circulating by  ufologists..The  Federal Bureau of Investigation (FBI) later declared these documents to be nothing more the fake just another  hoax...but honestly what else would you expect the government only recently acknowledged that a large percentage of Unidentified aerial phenomena is from an unknown origin..

so whether you believe these files are legit or as the government claims just fakes  is entirely up to you...

.....................
 

Many ufologists believe there had been a cover-up of the Roswell UFO crash (The Government literally claimed to have the  wreckage of a downed UFO only to eminently retract that claim and say it was nothing more then a weather balloon ) which lead to the belief that there was in fact a cover up.


 



ufologists  speculated that some secretive upper tier of the United States government was responsible for keeping this secret, Their suspicion was seemingly confirmed in 1984 when ufo researcher Jaime Shandera received an envelope containing film, that when developed, showed  eight pages of documents and images of what  appeared to be briefing papers describing "Operation Majestic 12".
 
The files revealed a secret committee of 12, individuals authorized by President Harry S. Truman in 1952, and explain how  the crash of an alien spacecraft at Roswell in July 1947 had been concealed, how the recovered alien technology could be exploited,  and how the United States should engage with extraterrestrial life in the future 

 








Shandera and his fellow UFO researchers Stanton T. Friedman and Bill Moore claim to have  later received a series of anonymous messages that led them to find what has been called the "Cutler/Twining memo" in 1985 while searching declassified files in the National Archives.

The memo was supposedly written by President Eisenhower's assistant Robert Cutler to General Nathan F. Twining and containing a reference to Majestic 12, the memo is regarded as a forgery by many.

Historian Robert Goldberg wrote that the ufologists came to believe the story despite the documents being "obviously planted to bolster the legitimacy of the briefing papers".

Later a man named Richard Doty, Claiming to be connected to the United States Air Force Office of Special Investigations, told filmmaker Linda Moulton Howe that the MJ-12 story was true, and showed Howe unspecified documents to prove the existence of small, grey humanoid
aliens originating from the Zeta Reticuli star system. 

 




Doty reportedly promised to supply Howe with film footage of UFOs and an interview with an alien being, although no footage ever came to light at the time.

However there was an alleged area 51 et interview shown in 1997




Eventually the  ufology community begin to disagree on the authenticity of the MJ-12 documents, and Moore was even accused of taking part in an elaborate hoax, while other ufologists and de-bunkers like  Philip J. Klass were accused of being "disinformation agents".

Klass's investigation of the MJ-12 documents found that Robert Cutler was actually out of the country on the date he supposedly wrote the "Cutler/Twining memo", and that the Truman signature was "a pasted-on photocopy of a genuine signature — including accidental scratch marks — from a memo that Truman wrote to Vannevar Bush on October 1, 1947". Klass dismissed theories that the documents were part of a disinformation campaign as "ridiculous", saying they contained numerous flaws that could never fool Soviet or Chinese intelligence.

Other discrepancies noted by Klass included the use of a distinctive date format that matched one used in Moore's personal letters, and a conversation reported by Brad Sparks in which Moore confided that he was contemplating creating and releasing some hoax Top Secret documents in hopes that such  documents would encourage former military and intelligence officials who knew about the government's  UFO coverup to break their oaths of secrecy.


The FBI began its own investigation of the secret documents and quickly formed doubts as to their authenticity.

The United States Air Force Office of Special Investigations stated that no such committee had ever been authorized or formed, and that the documents were "bogus".

The FBI subsequently declared the MJ-12 documents to be "completely bogus".

Later in 1996, a document called the MJ-12 "Special Operations Manual" circulated among ufologists.

 

 





It is also widely considered to be a fake and "a continuation of the MJ-12 hoax".

Ufologists Linda Moulton Howe and Stanton T. Friedman believe the MJ-12 documents are authentic.

Friedman examined the documents and has argued that the United States government has conspired to cover up knowledge of a crashed extraterrestrial spacecraft.

Scientific skeptic author Brian Dunning investigated the history of the subject, and reported his findings in the 2016 Skeptoid podcast episode "The Secret History of Majestic 12". He cited ufologist Bill Moore’s suspicion that, rather than a hoax perpetrated by the UFO community, the papers were actually part of a disinformation campaign of the US government meant to deflect attention from secret Air Force projects.

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**MJ 12 Members**


The following individuals were described in the Majestic 12 documents as "designated members" of Majestic 12.

                                                                 Lloyd Berkner
                                                                 Detlev Bronk
                                                                 Vannevar Bush
                                                                 James Forrestal
                                                                 Gordon Gray
                                                                 Roscoe H. Hillenkoetter
                                                                 Jerome Clarke Hunsaker
                                                                 Donald H. Menzel
                                                                 Robert M. Montague
                                                                 Sidney Souers
                                                                 Nathan F. Twining
                                                                 Hoyt Vandenberg